Infinite Stratos at its best is a whimsical harem series with a bland protagonist who comes good in spots and the real focus is on the girls who have affection for him. This formula worked well enough in the first season for the fact that it kept the story and character development as simple as possible. With enough demand for more IS, a second season was ordered up and ready to go into one of the most packed seasons in recent memory. I wouldn’t be the first person to say that it has been a disappointment even by the first season’s low standards, but why did it have to be this way?
Katsuragi Keima for most of the time I knew his existence as a character from The World God Only Knows‘s universe was a fairly average harem lead noted for his lack of affection for any other human beings. He viewed people very much like characters in the visual novels he played; either they were characters he had to conquer and pursue down their various routes or they were simply mob characters that could safely be ignored most of the time. This served him quite well in his job helping Elsie capture loose spirits that inhabited girls with gaps in their hearts since he could follow them. There was still a big question the remained with this approach. What would Keima do if he found himself affecting a girl’s genuine feelings?
The Yamakan vehicle Senyuu.can be seen as one of the latest examples of the short five minute (or less) comedies series that have become more prominent in the last year or two. The names of these shows typically last as long in the memory as the episodes themselves. Recorder to Randoseru and Teekyuu are in or will have third seasons airing by the end of the year. On the other side there are examples like Ai Mai Mi, Boku no Imouto wa “Osaka Okan”, Haitai Nanafa, Mangirl! and Sparrow’s Hotel that throw jokes at the wall for 2-3 minutes straight hoping something sticks, and in many cases are more well known for having microscopic budgets. Then there is also the rarer examples of light-hearted storytelling like Aiura and Yama no Susume, which are more short-form school life series than anything. So what makes Senyuu. special?
If you’re not cheating, you’re not trying. – Mark Grace
The critical moment in the 8th episode of C³-bu comes when the protagonist of the series, Yura, reacts to being struck by a stray shot from a member of the Meisei team by continuing to fight and winning the battle and tournament for her team. The nature of the victory represents a pivotal moment in the development of her character going forward, but how does it reflect human nature in this circumstance? Additionally, what can we learn about Yura as a character in figuring out why she acted the way she did?
Back when I was really intensely studying such things, the ideas of “soft power” and in particular “Cool Japan” were popular in the international political scene. The idea for those who don’t know is that by spreading one’s culture around to other countries and gaining a foothold there, it can have longer term positives as the perceptions of one’s country becomes positive as a result. You can see this in the present day in American movies being rushed into Chinese cinemas with added footage specially for that audience and to ease it past the censors there. Then, of course, there’s the repeated attempts to try to sell anime and manga to Western audiences over the years with mixed success in the case of Japan.
This has been a rather interesting season so far from my perspective, even if I haven’t found any single series to be particularly outstanding. Recently I’ve been coming across a theme in a number of things. That would be the simple concept of quitting. Let me just clarify that as of the writing of this sentence I don’t have any intention of doing that as far as writing this blog is concerned. That doesn’t mean I’m above using it as a topic in this little installment of my not often run Pointless Debate series.