In January when I was still watching Space Brothers, there was an event I knew was going to happen from watching the live action movie last year. Hibito did end up crashing the lunar rover into a massive crevasse. What happened with the next few episodes was the series at its very best. The dumb light moments were gone for that span and it was replaced with a drama where the threat felt real. Hibito did get out of that situation, barely, but the scars would last. The conclusion of that arc later took a hit in my mind when I found out the inspiration for the astronaut figure left on the moon. After that, the old Space Brothers returned and I could no longer enjoy it in the same way.
Sometimes the best insight into characters can come at the most surprising times. When the Neighbors Club took a shopping trip there were the usual antics that come with a harem comedy. In the middle of this was a conversation at a coffee shop between Sena and Kodaka where we learn more about the latter than all previous episodes prior. It’s brief, but we learn that he has a massive inferiority complex. He doesn’t feel that he deserves to be loved by anyone and at that point it’s obvious that he is willfully ignoring the feelings of the girls around him. This conversation really marked the transition of the series from one about girls falling in love with Kodaka to a show about helping him find his confidence.
While this show disappointingly ended with Hero subjected to Female Knight and Demon King shoving their chests into his face, there were moments of genuine quality in Maoyuu. Having taken Crimson Scholar’s place in being subjected to public execution, Older Maid Sister gave a speech that wasn’t so much a call for her own safety as much as a call to destroy the existing order that was drawn from her own experience of being taken in by Demon King. Even as she is being beaten her will shines through and she will not have her spirit crushed.
The spring season opened with a 2nd show involving a demon king only this time they ended up in modern Japan. There wasn’t much glossing over what happened on Maou and Ashiya’s arrival though. Here were two foreigners who did not speak the language trying to figure out a way to make some money and find a place to live. Their social support network consists of just the two of them and their mysterious landlord Miki. A long struggle to survive in low-wage hell looked set to begin.
Yuyushiki is at it’s heart a show about 3 cute girls doing cute things as friends. Their club activities fittingly involve looking things up on the internet revolving around a theme of the day they come up with on their own. The moment I think that best summed this up took place in the 7th episode. When talking about Yuzuko’s unusual eye color she ended up coming across a Wikipedia article for the protein that sends information from the eyes to the brain. Yes, Pikachurin. In this show of many tangents, a discussion that begins with cat’s eyes concludes with speculation on the gender of the children a scientist has. That’s Yuyushiki research in a nutshell right there.
It’s not much of a stretch to say that Muromi-san isn’t exactly heavy in social commentary. What little there is is run through the character of Otohime the former business owner under the sea who has to work in a fishing shop. The episode is about much more than that though. There’s the convenience store worker who had dreams of his own, but with his girlfriend now pregnant those dreams may be permanently on hold. Otohime herself is looking to stand on her own terms after she lost her business, but it doesn’t look like that is happening. Her frequent fights with Muromi always seemed to be about how Otohime had fallen, but this episode revealed that they were really a frustration with how things change. Life can’t simply go back to how it was before the economy tanked. The episode ends fittingly with an all-night drinking session outside of the convenience store talking about business in an unstable economy.
C3-bu ended up turning into a sort of gunsoft version of Rambo when the protagonist Yura was questioning why gunsoft didn’t love her as much as she loved it. Early on in a quest to improve her skills the club goes to a temple and sets Yura a goal of being able to shoot a single 5-yen coin from across an archery range. After failing for the day and having left her gun at the temple, Yura returns and enters one of her vivid delusions. The next day she returns and imagines herself in the middle of an ancient battle and fires a shot through an incoming arrow. Did it really happen? Was Rento also sucked into Yura’s imagination? Or did she simply shoot into the hole of the 5-yen coin?
Having saved his friends from Kokabiel in the last episode through force of will, Issei and the rest of the Occult Research Club embarked on a more pedestrian mission; cleaning the school’s pool. The feelings of those around him had swung fully in his direction. When even Yuuto is confessing his feelings for him, you knew Issei was in the form of his life. So when he had to have more of his dragon energy sucked out of him by Akeno, the audience was in for a show.
Having wrapped up the series proper, Kiniro Mosaic started a take on chuunibyou and ended up turning it into a short musical number. Going completely off-script in the adaptation happened to yield the best of this series. The musical number relied on being interested in these characters and their idiosyncrasies, but the case could be made that the musical number could stand on its own. I’d be interested to see if anyone who did not watch any of Kinmoza would understand the musical bit.
For a high-concept harem comedy about a character who is forced into making ridiculous choices, the opening scene is one of the most ambitious narratives of the year. They try to tell history as a series of choices made by people who would go on to be famous for those decisions. Unfortunately, it’s hardly a successful story as it drags on for far too long and it is followed up by Furano, Ouka and Kanade being involved in dirty jokes. Failed ambition is better than not even trying.
There were hints of this in the opening episode that the relationship between Setsuna, Kazusa and Haruki would hit its peak. The concert’s three songs sum up the series perfectly. The first was the song that brought them together, the second was a dialogue between Kazusa and Setsuna about romantic conflict and the third was about love lost. The performance captures everything that made this series the surprise of 2013.
Outbreak Company was one of the better shows this year with its attempts to portray a divided society and in the final episodes the attention turned to the Japanese government and the place of otaku in society. Imports of anime and manga were restricted early on in the 11th episode. It became clear that this was the dark side of trying to spread culture. Matoba revealed that it was all a plot to have the people learn Japanese and to become more interested in anime and manga than developing their own culture. When Shinichi learns of this he and Minori become expendable because they do live on their own. Ultimately, he uses the ties that he has forged in his new land to get protection after he tells Petrarca they should make their own anime, manga and light novels. That was a potentially dangerous thing to do.